Source: classical-iconoclast.blogspot.com - Sunday, September 16, 2012
On BBC Radio 3 "The Choir" there's a piece on Xian Xing Hai's Yellow River Cantata , (黄河大合唱), describing a new edition in English to encourage greater awareness of the piece in the west. Good idea! But The Yellow River Cantata is so central to the Chinese psyche that I'm not sure that western performances would really help. In this increasingly monophone world, the last thing we need is more west-centrism. We need to learn things from other perspectives. Even Chinese raised overseas seem to be losing their identity. A better approach may be to listen to really idiomatic recordings, and develop a wider understanding of modern China. Only then, perhaps the Cantata and its true emotional impact will fall into place. Xian Xing Hai (Sin Sing Hoi in Cantonese) (冼星海;) was born 13/6/1905, the posthumous child of a fisherman in Macau, "the lowest of the low", as boat people were looked down on by farmers and townsfolk. Yet almost from the start he seemed destined to rise above extreme hardship. Aged six, he went to Singapore with his mother, who had a job as an amah. Yet, aspiration already. He studied first in an English school, then in a Singapore school affiliateded to Lingnan University, where he learned Chinese and western music. In 1918, mother and son were back in Guangzhou, struggling hard to put the son through music school. He was a clarinet prodigy, known as "The Southern Piper" because he'd grown up in the nam yang (south).